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Vous avez sélectionné:
The First Cut Is the Deepest
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The First Cut Is The Deepest
Guitar - Digital Download SKU: HX.1393074 By Cat Stevens, Rod Stewart, and Sheryl C…
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Guitar - Digital Download SKU: HX.1393074 By Cat Stevens, Rod Stewart, and Sheryl Crow. This edition: scorch. Pop,Rock. Guitar Lead Sheet. 2 pages. Hal Leonard - Digital #247050. Published by Hal Leonard - Digital (HX.1393074).
$2.99
2.79 €
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Cat Stevens, Rod Stewart, and Sheryl Crow
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The First Cut Is The Deepest
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Hal Leonard - Digital
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SheetMusicPlus
The First Cut Is The Deepest
Interactive Download SKU: HX.308828 By Cat Stevens, Rod Stewart, and Sheryl Crow. T…
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Interactive Download SKU: HX.308828 By Cat Stevens, Rod Stewart, and Sheryl Crow. This edition: Interactive Download. Folk,Pop,Rock. Easy Guitar. 2 pages. Published by Hal Leonard - Digital (HX.308828).
$2.99
2.79 €
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Cat Stevens, Rod Stewart, and Sheryl Crow
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The First Cut Is The Deepest
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Hal Leonard - Digital
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SheetMusicPlus
A Whitman Triptych: II. What Is the Grass? (Downloadable)
Tenor voice solo, SATB choir unaccompanied - Moderately Difficult - Digital Download SK…
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Tenor voice solo, SATB choir unaccompanied - Moderately Difficult - Digital Download SKU: MQ.8322-E Composed by David Conte. Advanced/Collegiate. Secular, 21st Century, Americana, Children, Creation/Nature, Hope/Assurance. Instrument part. 15 pages. Duration 5 minutes, 42 seconds. E. C. Schirmer Music Company - Digital #8322-E. Published by E. C. Schirmer Music Company - Digital (MQ.8322-E). UPC: 600313483226. English. The three a cappella choral pieces that comprise âA Whitman Triptychâ were composed between 2012 and 2014. O Setting Sun was commissioned by the Madison Chamber Choir, Madison, Wisconsin, Anthony Cao, conductor, and was premiered on April 20th, 2012. âWhat is the Grassâ was composed for Cappella SF, Ragnar Bohlin, conductor, and is being premiered on tonightâs concert. Facing West was commissioned in celebration of the 75th anniversary of the Golden Gate Bridge by the International Orange Chorale, Zane Fiala, conductor, and was premiered on May 27th, 2012. I first set Whitman to music in 1986,when I adapted part of âWhen Lilacs Last in the Dooryard Bloomedâ as the basis for my composition âInvocation and Dance.â I went on to set âGood-Bye, My Fancyâ for Male Chorus and Soprano Saxophone in 1992, and âSong of the Open Roadâ for Mixed Chorus and Piano in 2004. Like so many composers, I have found the visionary quality of Whitmanâs verse inspiring; the vigor and intensity of the poetry seem naturally to draw out music. âWhat is the Grass?â is also an adaptation of a much longer poem, one of Whitmanâs deepest, and most mysterious. The poem begins as a child-like meditation on grass; as hope, as an embodiment of new life and new growth in the plant world. Then suddenly there is a somber turn with the line âAnd now it seems to me the beautiful uncut hair of graves.â Here Whitman enters an extended mediation on how grass connects life and death, informed by his experiences in the Civil War. Hope returns with the line: âThey are alive and well somewhere,â leading to the mysterious final line: âAnd to die is different from what anyone supposed, and luckierâ¦â Here Whitman affirms that death can be an initiation into a broader participation of existence. In the words of poet Ivan M. Granger, Whitman offers a âZen-like riddle that doesnât offer an answer so much as a pathway of questioning.â My musical setting follows Whitmanâs exploration, first taking a childâs point of view, expressed with lilting melodies set in a lively compound meter. The entry of the tenor soloist indicates a change of mood to the serious. The first mood returns, leading to a climax on the words âAnd led forward lifeâ¦â, set in 9-part harmony. The mood turns reverent, as the tenor soloist intones: âAll goes onward and outward; nothing collapses.â The piece ends with a tone of gentle, slightly ironic questioning. -David ConteDuration: 5:42
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David Conte
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A Whitman Triptych: II. What Is the Grass?
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
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